Iron Maiden june 23rd
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The point is not whose solo career is better listening; the point is the s/t and Killers are Iron Maiden, and what followed was something very much different.
I love Piece of Mind and Powerslave and some of Number, but in no way do those records eclipse Paul Di'Anno's work with the band. Not even close.
I love Piece of Mind and Powerslave and some of Number, but in no way do those records eclipse Paul Di'Anno's work with the band. Not even close.
http://chipsandbeermag.tumblr.com/Brian wrote:dance, monkey, dance!!
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Dickinson Maiden is like Baked Alaska, bro. Complex and fussy. Takes a long time to come together. You'd never, ever, hear Di'Anno Maiden doing something like "Hallowed Be They Name," or "Rime of the Ancient Mariner."
When Paul and Clive left the band took a hard turn. And it don't resemble apple pie or chocolate cake. Proggy pie maybe. With a side of Yes.
When Paul and Clive left the band took a hard turn. And it don't resemble apple pie or chocolate cake. Proggy pie maybe. With a side of Yes.
http://chipsandbeermag.tumblr.com/Brian wrote:dance, monkey, dance!!
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I listened to side 2 of TNOTB this morning on the way in to work. Pure fucking brilliance, with the exception of Gangland. I even got a little misty.
"Total Eclipse" caught me by surprise and a got a quick skip. Call me a codger, but if they're going to add cut tracks, they need to tack that shit on the end, so it doesn't mess with the orginal running order.
"Total Eclipse" caught me by surprise and a got a quick skip. Call me a codger, but if they're going to add cut tracks, they need to tack that shit on the end, so it doesn't mess with the orginal running order.
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No no no. I never said punk/prog dichotomy. I did say the two bands were very different.
Three instrumentals between the first two recs. A few long tunes (your example of "Phantom..." is an anomaly at over seven minutes), but with Number you've got two six minute tunes, one over seven. Same for Piece...
They begin to stretch out more, recline, let songs develop, instead of relying on punching them out within three or four minutes. Arrangements are different. Drumming's different. You've got an operatic vocalist instead of a street thug wannabe. Etc etc.
Three instrumentals between the first two recs. A few long tunes (your example of "Phantom..." is an anomaly at over seven minutes), but with Number you've got two six minute tunes, one over seven. Same for Piece...
They begin to stretch out more, recline, let songs develop, instead of relying on punching them out within three or four minutes. Arrangements are different. Drumming's different. You've got an operatic vocalist instead of a street thug wannabe. Etc etc.
http://chipsandbeermag.tumblr.com/Brian wrote:dance, monkey, dance!!
And stop this brit punctuation thing. You must be reading IO too much.Knucklehead wrote:"Rime".
http://chipsandbeermag.tumblr.com/Brian wrote:dance, monkey, dance!!
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Perhaps I was misattributing. You're obviously correct that, four albums in, they had figured out how to write so songs. The days of banging out something like "Running Free" were over by the time that they got around to sitting down for "Piece of Mind". I'd always thought that Harris wrote all the songs, but the credits are pretty varies by the time of "Piece of Mind".
I don't think that there is anything wrong necessarily with a punk/prog dichotomy. So don't go getting all excited, Hoss.
I don't think that there is anything wrong necessarily with a punk/prog dichotomy. So don't go getting all excited, Hoss.
Stupid iPhone autocorrect. I have completely forgotten what is standard American usage. I've been assimilated by Steve Jobs. Resistance is futile.stewvee wrote:And stop this brit punctuation thing.Knucklehead wrote:"Rime".
Knucklehead wrote:
I don't think that there is anything wrong necessarily with a punk/prog dichotomy. So don't go getting all excited, Hoss.
Knucklehead wrote:
I don't like my Metal being called "punk."
http://chipsandbeermag.tumblr.com/Brian wrote:dance, monkey, dance!!
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